Fiction Writing
Tip of the Week
Welcome,
valiant explorer of hidden realms. You've found the spot where I return
weekly to sit on a rock and spout sage advice. And the occasional Aggie
joke.
In my more than
twelve years in the Christian publishing industry—years
that included writing my six published novels and two co-written
nonfiction books, stints on staff with three publishing companies, and
years as an
acquisitions editor—I've
picked up a few things that may be of use to you.
Published and
unpublished novelists who have worked with me have heard me say these
things. Some with rejoicing, and others with wailing and gnashing of
teeth.! Apply them to your writing and, if you send me your manuscript
for review, you won't hear me say them to you. 0:-)
Tip of the Week
Index
I have here
listed, in reverse order, the tips I have posted so far and the links
to find them. There are up to ten tips per page.
Tips 81-90
- End Your Scenes with a Zinger
- Stop Being Teachable
- Be Teachable
- Don't Let Characters Serve Plot
- Don't Telegraph that Your Hero Lives
- Learn To See the Errors in Other
People's Fiction—Part 2
- Learn To See the Errors in Other
People's Fiction—Part 1
Tips 71-80
- Spend the Right Amount of Page-Time on
the Things in Your Story
- Realize that You're Living in a
Publishing Revolution
- Your Ending Must Arise from Your
Beginning
- Christian Fiction No-No Number
4—Including Verboten Content
- Christian Fiction No-No Number 3—The
Happy Ending Is that the Person Gets Saved
- Christian Fiction No-No Number 2—A
Sermon in the Middle of the Story
- Christian Fiction No-No Number 1—The
Deus Ex Machina
- Help Your Reader Suspend Disbelief
- (Be Willing To) Murder Your Darlings
- Formula
Number 3 —Whose Epic Is This?
Tips 61-70
- Formula
Number 2—When Can Readers Bear Exposition?
- Formula
Number 1—When Do People Change?
- Use Word Choice To Set Mood
- Understand the Difference Between
Description and Telling
- Viewpoint Characters as Narrators
- Avoid That Silly Sentence Construction
- Avoid Pet Phrases
- Avoid Personification
- Avoid Letting Your Characters Make
Accurate Guesses from Ambiguous Clues
- Avoid
Italics
- Avoid Exclamation Points in Narration!
- Avoid Agenda-Driven Fiction
- Avoid Direct Address
- Avoid Present Tense
- Manage Profanity, Part 2
- Manage Profanity, Part 1
- Avoid Mixed Metaphors
- Understand the Publishing Process
- Create Chapters of Appropriate Length
- Create a Likeable Protagonist
- Find Your Story
- The Secrets of Good Dialogue, Part 4
- The Secrets of Good Dialogue, Part 3
- The Secrets of Good Dialogue, Part 2
- The Secrets of Good Dialogue, Part 1
- Avoid Flashbacks
- Create Interesting Characters (Who
Don't All Sound Like You)
- Stay with One Storyline for Awhile Before
Cutting Away
- Intercut Between Multiple Storylines
- Stick with Said
- Use Circularity
- Avoid Fiction Clichés
- Should You Write What You Want or What
the Market Wants?
- The Politically Correct "They"
- Avoid Mistakes in Your Sample
Chapters, Part 2
- Avoid Mistakes in Your Sample
Chapters, Part 1
- Avoid Mistakes with Your Synopsis
- Avoid Mistakes in Your Presentation
- Create Interesting Characters
- Beats
- Point of View (POV)
- Show vs. Tell
- Establish Your POV Right Away
- Managing the Passage of Time Within a
Scene
- Formatting Dialogue
- Attend a Christian Writer's Conference
- Don't Skip Over It and Then Tell It in
a Recap
- Describe Actual Places
- Stick to One Name Per Character Per
Scene
- The Dumb Puppet Trick
- Planting a Ticking Time-Bomb in Your
Novel
- Keep a Character's Dialogue and
Actions in the Same Paragraph
- Understanding Christian Fiction
Publishing, Part 3—Exceptions, Strategies, and Hope
- Understanding Christian Fiction
Publishing, Part 2—What Genres Does the Market Want?
- Understanding Christian Fiction
Publishing, Part 1—Who Is Your Reader?
- How To Introduce Your Main Characters
- Speech Attributions
- The Invisible Novelist
- Plant and Payoff—Part 2: Plant without
a Payoff
- Plant and Payoff—Part 1: Payoff
without a Plant
- Master Self-Editing for
Fiction Writers
- Beware Monster Paragraphs
- Description, Part 4—Comparisons
- Description, Part 3—The Full Sensory
Sweep
- Description, Part 2—The Establishing
Shot
- Description, Part 1—Introduction
- What Does Your Hero Want?
- Your Hero's Inner Journey
- Proper Manuscript Formatting
- An (Accepting) Audience of One
Remember
to
come back every week to see the new tip.
If you'd like
to ask me about a tip or ask a fiction
craft-related question, I'd love to hear from you. Either drop me a
note through the Contact page or
come to The
Anomaly and ask your question on the "Tip of the Week" thread.